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Morning Dew – The stigma of being “brainwashed” (2020)

Cast:  Hikari Waza (和座 彩) , Manabu Ishikawa, Harunori Kojima
Director of Photography:  Yukiko Iioka
Music:  Stace Constantinou, Anastasia Vronski
Technical cooperation:  RAM Association (Graduate School of Film and New Media, Tokyo University of the Arts)
Installation: Issei Yamagata
Support: Kawamura Arts and Cultural Foundation, Socially Engaged Art Support Grant (SEA)

Archive image contribution:
Jane Jin Kaisen
神戸映画資料館
康浩郎
一般財団法人 宮本記念財団
Ngā Taonga Sound & Vision
NPO法人映画保存協会
International Committee of the Red Cross (ICRC)

Special thanks to:
北朝鮮難民救援基金 (Life Funds for North Korean Refugees)
北朝鮮帰国者の生命と人権を守る会

 

September 24th, 25th 2022

Special Exhibition of Soni KUM:
The Body of Koreans in Japan Questioning the Boundaries

July 29th, 2022

はなせないことをはなす -CRITICAL IMPULSE TALK SERIES-
Vol.01
Guest:飯山由貴、琴仙姫

https://www.ongoing.jp/news/hanasenai01/

日時:2022年7月29日(金) 19:30-
会場:Art Center Ongoing 1階カフェ
参加費:1000円(ワンドリンク付き)
定員:先着30名様

『はなせないことをはなす -CRITICAL IMPULSE TALK SERIES-』は、現場のライブ感を大切にすることをコンセプトに、オンライン配信を一切行わず会場に来た人たちだけがリアルタイムのトークを間近で体験する連続トークシリーズです。
昨今のSNSでの過度な反応や、そうした状況が生み出す忖度を一切抜きにして、文字通り顔の見える範囲で、普段話すことが憚られる内容を気兼ねなく話す場所を目指します。「はなせないことをはなす」というタイトルに込めたのはそうしたストレートな想いであり、また固執してしまった考えや視点を今一度解き放つという意味も同時に含んでいます。
毎回多彩なゲストをお呼びし、月一のペースで開催していきます。記念すべき第一回目のゲストはアーティストの飯山由貴さんと琴仙姫さんのお二方です。今回のトークテーマは「政治と芸術:表現とcensorshipについて」。

小川希、Pol Maló、針谷周作 共同ディレクション

March 4, 2022

On Art Project “Morning Dew”: Memories, Dreams, Voices of the North Korean “Ex-Returnees” in Japan

日本に住む脱北した元「帰国者」の記憶・夢・声:アートプロジェクト『朝露』

March 4, 2022, 13:30-17:00, at Aichi Arts Center (Art Space A)

3月4日 13:30~17:00、愛知芸術文化センター アートスペースA

日本に住む脱北した元「帰国者」の記憶・夢・声:アートプロジェクト『朝露』Feb 8 3

In this hybrid bilingual event (in-person and online / Japanese and English), we invite artists Soni Kum, Hiroki Yamamoto, and Kazuya Takagawa to discuss Art Project “Morning Dew,” a product of the artists’ collaboration with North Korean defectors living in Japan which was first exhibited in Tokyo in November 2020. Among the roughly 200 North Korean defectors in Japan, many are “ex-returnees,” or members of the tens of thousands of Resident Koreans and their families who had left Japan for North Korea from 1959 until 1984. Winner of Kawamura Arts and Cultural Foundation’s Socially Engaged Art Grant, Kum’s project involved the artists to visit, talk with, and jointly work on creating their work with members of the “ex-returnees” whose migratory trajectories cut across East Asia’s colonial, postcolonial, and Cold War fissures.

If, as anthropologist Xiang Biao has noted, words such as return and returnees are far from ideologically neutral, but rather naturalizing and normalizing categories that effectively turn what is otherwise heterogeneous, contingent, and unfinished migratory trajectories into a governable pattern, what roles might art play in suspending their regulatory work and making space for alternative ways of seeing, hearing, and feeling?

This event will consist of a screening of the three artists’ video works that were first exhibited in Kitasenju BUoY, Nov 5 – Nov 10, 2020, which will be followed by a workshop.

『証言 』 Testimony

(with English subtitles, 2020, 24min, 山本浩貴/Hiroki Yamamoto, 高川和也/Kazuya Takagawa)

『朝露』  Morning Dew‒ The stigma of being “brainwashed”

(with bilingual subtitles, 2020, 60mins, 3-channel video work, 琴仙姫/Soni Kum)

In-person attendance is open to the public (no pre-registration necessary). Online participation is in principle limited to within Nagoya University (register here / for special considerations on online access please contact the hosts at screenstudiesevents.nu@gmail.com )

Organized by Shota Ogawa and Ma Ran / Co-sponsored by programs in Screen Studies, G30 Japan-in-Asia Cultural Studies, Nagoya University

This project and associated research was in part funded with JSPS KAKENHI Grant Number 21K12899 & JSPS KAKENHI Grant Number 18K12263

April 2, 2021

Image, Stories, and Silences of “Ex-Returnees” Who Defected from North Korea to Japan: Artist Talk with Soni Kum

                                        Cornell University, East Asia Program

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Friday, April 2, 2021 at 10:00am to 11:30am (NY, EST)

https://events.cornell.edu/event/image_stories_and_silences_of_north_korean_returnees_in_japan

Kum will discuss her installation work, Morning Dew-The Stigma of Being “Brainwashed” exhibited in Tokyo in November, 2020. It is based on interviews conducted with North Korean ex-“returnees”  now living in Tokyo. Most are  zainichi Koreans (“ethnic Koreans resident in Japan”) or their children, who from 1959 to 1984 moved to North Korean as part of the Repatriation Program. They thought  the DPRK was ‘a paradise on earth,’ only to experience the severe living conditions of North Korea’s recovery from the Korean War.  They are compelled to hide the fact that they left, or fled from, North Korea, or experience discrimination and other troubling consequences. Facing these fears of her interviewees, Kum’s work weaves together archival images, text, and silences to artistically evoke their hidden stories.

Discussants include Brett de Bary, Professor Emerita, Cornell, and Rebecca Jennison, Art Critic, Kyoto, Japan.

This event is co-sponsored by the Central New York Humanities Corridor from an award by the Andrew W. Mellon Foundation.
This event is also co-sponsored by the Migrations initiative and the Reppy Institute for Peace and Conflict Studies (PACS).

Vimeo documentation 

https://vimeo.com/535958420

The Cornell Chronicle published an article about an upcoming talk

Artist Soni Kum to share stories of North Korean defectors
By Megan DeMint | March 24, 2021

https://news.cornell.edu/stories/2021/03/artist-soni-kum-share-stories-north-korean-defectors

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still images from Offering, seven boats,  Installation and performance Ghost/ Resurrection/ Emergence, 2017, Der Mainbleu, Berlin, Germany

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Study of Korean War Film, 1:00:42 sec, Colour, Sound, 2017

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still images from Offering, seven boats, performance, 2015, South Korea

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Energy Drawing Series

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still images from Heaven’s Gate, reconciliation, performance/ Installation, 2014, Busan Biennale, South Korea

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